Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: About Heaven. (video) Basel: Fondation Beyeler (2015)
Tag Archives: Sweet Nothings
Simplicity
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Simplicity. (video) Basel: Fondation Beyeler (2015)
Measuring your own Grave
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Measuring your own Grave. (video) Basel: Fondation Beyeler (2015)
The Right to be Silent
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: The Right To Be Silent. (video) Basel: Fondation Beyeler (2015)
The Artwork as Misunderstanding
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: The Artwork as Misunderstanding. (video) Basel: Fondation Beyeler (2015)
Home Is Where The Heart Is
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Home Is Where The Heart Is. (video) Basel: Fondation Beyeler (2015)
Drawings and the People who look at them
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Drawings and the People who look at them. (video) Basel: Fondation Beyeler (2015)
The Origin of the Species
Marlene Dumas. Sophie Hunger reading from Marlene Dumas’ Book ‘Sweet Nothings’: The Origin of the Species. (video) Basel: Fondation Beyeler (2015)
No more Interviews
Marlene Dumas. Sophie Hunger reading from Marlene Dumas’ Book ‘Sweet Nothings’: No more Interviews. (video) Basel: Fondation Beyeler (2015)
Women and Painting
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Women and Painting. (video) Basel: Fondation Beyeler (2015)
Valentines Day
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Valentines Day. (video) Basel: Fondation Beyeler (2015)
The Muse is Exhausted
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: The Muse is Exhausted. (video) Basel: Fondation Beyeler (2015)
Always True
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Always True. (video) Basel: Fondation Beyeler (2015)
To Life
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: To Life. (video) Basel: Fondation Beyeler (2015)
On Words and Images
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: On Words and Images. (video) Basel: Fondation Beyeler (2015)
My Thoughts on Big Shows
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: My Thoughts on Big Shows. (video) Basel: Fondation Beyeler (2015)
It’s as Easy as 1, 2, 3
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: It’s as Easy as 1, 2, 3. (video) Basel: Fondation Beyeler (2015)
Deadlines and Airmiles
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: Deadlines and Airmiles. (video) Basel: Fondation Beyeler (2015)
Waiting Rooms (Need TV)
Marlene Dumas. Sophie Hunger reading from Marlene Dumas’ Book ‘Sweet Nothings’: Waiting Rooms (Need TV). (video) Basel: Fondation Beyeler (2015)
Ask Me No Questions
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: Ask Me No Questions. (video) Basel: Fondation Beyeler (2015)
A united Europe
Marlene Dumas. Bettina Stucky reading from Marlene Dumas’ Book ‘Sweet Nothings’: A United Europe. (video) Basel: Fondation Beyeler (2015)
Suspect
Marlene Dumas. Marlene Dumas reading from her Book ‘Sweet Nothings’: Suspect. (video) Basel: Fondation Beyeler (2015)
A Painting Needs a Wall to Object to
Marlene Dumas. Sophie Hunger reading from Marlene Dumas’ Book ‘Sweet Nothings’: A Painting needs a Wall to object to. (video) Basel: Fondation Beyeler (2015)
Book Launch: Marlene Dumas Sweet Nothings Notes and Texts
Book Launch: Marlene Dumas Sweet Nothings Notes and Texts. (video) Amsterdam: Stedelijk Museum, 14-12-2014
Passages
Marlene Dumas. ‘Jan Hoet 1936-2014’. Artforum (Summer 2014): p. 91
Non-traditional Relationships
Marlene Dumas. ‘Non-traditional Relationships’. Manifesta 10: The European Biennial of Contemporary Art (exhibition catalogue), London: Koenig Books, 2014: p. 92
A Gothic Story. The Final Tale
Marlene Dumas. ‘A Gothic Story. The Final Tale’. Marlene Dumas. Sweet Nothings. Notes and Texts 1982-2014, London: Koenig Books, 2014: p. 160
Natasja in Wonderland
Marlene Dumas. ‘Natasja in Wonderland’. The Crying Light (exhibition catalogue), Dublin: Royal Hibernian Academy, 2013: p. [9]
Every Prize has its Price
Speech given by Marlene Dumas during the award ceremony of the Johannes Vermeer Prize 2012 on 29 October, Museum Het Prinsenhof, Delft, The Netherlands, 2012
An Artwork of the 19th Century that was and stays important to me. Even Fairies can be ok.
Marlene Dumas. ‘An Artwork of the 19th century that was and stays important to me. Even Fairies can be ok’. Frieze Masters. Ideas from the Past in the art of the Present, London: Frieze Publishing, 2012: p. 87
Luc
Marlene Dumas. ‘Luc’. AnOther Magazine (18-10-2012)
Mike Kelley
Marlene Dumas. ‘Marlene Dumas over Mike Kelley’. NRC Handelsblad, 13-12-2012 [special edition of NRC Handelsblad on the occasion of Mike Kelley’s solo exhibition at the Stedelijk Museum in Amsterdam]
Photographs that like Books and Films that like Photographs
Marlene Dumas. ‘Foto’s die van boeken houden en films die van foto’s houden / Photographs that like Books and Films that like Photographs’. Look. Ed! Images from the Archive of Ed van der Elsken selected by Marlene Dumas, Rineke Dijkstra and Marijke van Warmerdam, Amsterdam: Annet Gelink Gallery, 2012
Royal Awards: Queens, Stars and Painters
Marlene Dumas. ‘Koninginnen, sterren en schilders/Queens, Stars and Painters’. Koninklijke Prijs voor Vrije Schilderkunst (exhibition catalogue), Amsterdam: Stichting Koninklijk Paleis, 2011: p. 34-36, 40
The portrait of Josephine-Eleonore-Marie-Pauline de Galard de Brassac de Bearn, Princesse de Broglie
Marlene Dumas. ‘De kleur van hoop. Jean-Auguste-Dominique Ingres, La Princesse de Broglie (The Portrait of Joséphine Eléonore Marie Pauline de Galard de Brassac de Béarn, Princesse de Broglie)’. Nexus, no. 55 (2010): p. 33-38
Alice doesn’t live here anymore
Marlene Dumas. ‘Alice doesn’t live here anymore’. Alice Neel. Painted Truths (exhibition catalogue), Houston: Museum of Fine Arts, 2010
Against the Wall. Letter to David
Marlene Dumas. ‘Against the Wall. Letter to David’. Against the Wall (exhibition catalogue), Amsterdam/Santa Fe: Idea Books Distribution/Radius Books, 2010: p. 49-55
Contra o Muro
Marlene Dumas. ‘Contra o Muro’. Contra o Muro (exhibition catalogue), Porto: Museu Serralves, 2010: p. 57
Two of a kind
Marlene Dumas. ‘Two of a kind’. Contra o Muro (exhibition catalogue), Porto: Museu Serralves, 2010: p. 59
For Whom the Bell Tolls
Marlene Dumas. ‘For Whom the Bell tolls’. Contra o Muro (exhibition catalogue), Porto: Museu Serralves, 2010: p. 80
The Third World War
Marlene Dumas. ‘De Derde Wereldoorlog/The Third World War’. Metropolis M, no. 6 (December-January (2010) 2009): p. 17-18
Measuring your own Grave
Marlene Dumas. ‘Measuring your own Grave’. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 194
Framing and Naming
Marlene Dumas. ‘Framing and Naming’. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 261
North Africa (Woman of Algiers)
Marlene Dumas. ‘North Africa (Woman of Algiers)’. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 177
Beaches ain’t what they used to be
Marlene Dumas. ‘Beaches ain’t what they used to be’. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 34
Southern Comfort
Marlene Dumas. ‘Southern Comfort’. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 179
Homage to the Polaroid
Marlene Dumas. ‘Homage to the Polaroid’. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 91
Expiring Dates
Marlene Dumas. ‘Expiring Dates ‘. Measuring your own Grave (exhibition catalogue), Los Angeles: Museum of Contemporary Art, 2008: p. 179
Improvise. Lalala and Halloo
Marlene Dumas. ‘On the drawings of Keren Cytter’. Keren Cytter (exhibition catalogue), Vienna: MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, 2007
On Photography and Modern Life
Marlene Dumas, Ralf Rugoff. ‘On Photography and modern Life’. The Painting of Modern Life: 1960s to Now (exhibition catalogue), London: Hayward Gallery, 2007 [selected fragments from a conversation between Marlene Dumas and Ralf Rugoff]
Adult Entertainment or what do I do
Marlene Dumas. ‘Adult Entertainment or what do I do (when you are far away)’. Intimate Relations (exhibition catalogue), Amsterdam/Johannesburg: Roma Publications/Jacana Media, 2007: p. 79
Man Kind
Marlene Dumas. ‘Man Kind’. Man Kind (exhibition catalogue), Amsterdam: Galerie Paul Andriesse, 2006: p. 3-4
Collateral Damage
Marlene Dumas. ‘Melissa Gordon: Collateral Damage (or, Paintings of Pictures that Show a Painting isn’t a Picture)’. Wild at Heart, Amsterdam: Stichting Ateliers ’63, 2006: p. 39-45
And God Said – I told you so
Marlene Dumas. ‘And God said – I told you so’. Kitsch Unedited: Letters and Texts of Friends compiled by Jan Andriesse, Tilburg: De Pont Museum, 2006: p. 21-23
Tomorrow,
Marlene Dumas. ‘Tomorrow’. M+M Marlene Dumas + Marijke van Warmerdam (exhibition catalogue), Cologne: Verlag der Buchhandlung Walther König, 2004
Pretty Boys
Marlene Dumas. ‘Pretty Boys’. Respect! Forms of Community: Contemporary Art from the Netherlands (exhibition catalogue), Amsterdam: Mondriaan Foundation, 2005
The Right to be Silent
Marlene Dumas. ‘The Right to Be Silent’. Frieze, no. 80 (January/February 2004): p. 84-85
The Second Coming
Marlene Dumas. ‘The Second Coming’. The Second Coming (exhibition catalogue), London: Frith Street Gallery, 2004
Immaculate
Marlene Dumas. ‘Immaculate’. Frieze, no. 80 (January/February 2004): p. 88-89
The Death of the Author
Marlene Dumas. ‘The Death of the Author’. Frieze, no. 80 (January/February 2004): p. 86-87
Suspect, Simplicity, About Heaven
Marlene Dumas. ‘Suspect, Simplicity and About Heaven’. Marlene Dumas: Suspect (exhibition catalogue), Milan: Skira, 2003: p. 35, 46, 66, 77, 79
As good as it gets Van Gogh is the one.
Marlene Dumas. ‘As good as it gets. Van Gogh is the One’. GoghModern: Vincent van Gogh and Contemporary Art, Amsterdam/Rotterdam: Van Gogh Museum/Stedelijk Museum/NAi Publishers, 2003
You know you are a Foreigner
Marlene Dumas. ‘You know you are a Foreigner’. Early Works: De Ateliers 1998-2002 (exhibition catalogue), Amsterdam: Stichting Ateliers ’63, 2002: p. 21
Wake-up Call
Marlene Dumas. ‘Wake Up Call’. Early Works: De Ateliers 1998-2002 (exhibition catalogue), Amsterdam: Stichting Ateliers ’63, 2002: p. 20
Notes on All is Fair in Love and War
Marlene Dumas. ‘Frank Stella: Notes on All is Fair in Love and War’. Marlene Dumas. Sweet Nothings. Notes and Texts 1982-2014, London: Koenig Books, 2014: p. 200 [written in 2001 on the occasion of the exhibition All is Fair in Love and War, New York, 2001, but at the time unpublished]
Topless Bars and Structural Skeletons
Marlene Dumas. ‘Topless Bars and Structural Skeletons’. Name no Names (exhibition catalogue), Paris: Centre Pompidou, 2001: p. 34-37
Name no Names
Marlene Dumas. ‘Name no Names’. Name no Names (exhibition catalogue), Paris: Centre Pompidou, 2001: p. 34-37
Never say Never or One Drawing too Many
Marlene Dumas. ‘Never say Never or One Drawing too Many’. Marlene Dumas: One Hundred Models and Endless Rejects (exhibition catalogue), Boston/Ostfildern: Institute of Contemporary Art/Hatje Cantz Verlag, 2001 [selected fragments from Marlene Dumas: One Hundred Models and Endless Rejects, 2001]
Live Acts. Silent Studios.
Marlene Dumas. ‘Live Acts. Silent Studios’. Strippinggirls: Anton Corbijn, Marlene Dumas (exhibition catalogue), Amsterdam: Stichting Actuele Kunstdocumentatie, 2000
A true Hedonist is hard to find
Marlene Dumas. ‘A true Hedonist is hard to find’. Marlene Dumas: MD (exhibition catalogue), Antwerp/London/Høvikodden: MUKHA/Camden Arts Centre/Henie Onstad Kunstsenter, 1999
MD-light
Marlene Dumas. ‘MD-light’. Marlene Dumas: MD (exhibition catalogue), Antwerp/London/Høvikodden: MUKHA/Camden Arts Centre/Henie Onstad Kunstsenter, 1999
Fame and Fortune
Marlene Dumas. ‘Fame and Fortune’. Marlene Dumas, London: Phaidon, 1999: p. 138
Future Perspective
Marlene Dumas. ‘Future Perspective, or why he’s not the Man they say he is’. Jan Andriesse (exhibition catalogue), Dordrecht: Dordrechts Museum, 2000 [written in 1999]
Do the right Thing
Marlene Dumas. ‘Do the right Thing’. Grey Areas: Representation, Identity, and Politics in Contemporary South African Art (exhibition catalogue), Rivonia-Johannesburg: Chalkham Hill Press, 1999: p. 129-131
Improper Relationships
Marlene Dumas. ‘Improper Relationships’. Marlene Dumas, London: Phaidon, 1999: p. 142
Accepting Painting for what it is
Marlene Dumas. ‘Accepting Painting for what it is’. A fruitful Incoherence, London: Iniva, 1998: p. 50
Women
Marlene Dumas. ‘Women’. Sweet Nothings: Notes and Texts by Marlene Dumas, Amsterdam: Uitgeverij De Balie/Galerie Paul Andriesse, 1998 [written in 1997]
Valentines Day
Marlene Dumas. ‘Valentines Day’. Sweet Nothings: Notes and Texts by Marlene Dumas, Amsterdam: Uitgeverij De Balie/Galerie Paul Andriesse, 1998: p. 136 [written in 1997]
Rejects and Reasons
Marlene Dumas. ‘Rejects and Reasons’. Auf dem Strich, Arbeiten zum Thema Prostitution (exhibition catalogue), Kiel: Kulturviertel in Sophienhof Kiel, 1997
First Flights Overseas
Marlene Dumas. ‘First Flights Overseas’. The Bread and Butter Stone, The Douglas Hyde Gallery on Memory, Dublin: Douglas Hyde Gallery, 1997: p. [no pagination]
As the World turns
Marlene Dumas. ‘As the World turns’. The Bread and Butter Stone, The Douglas Hyde Gallery on Memory, Dublin: Douglas Hyde Gallery, 1997: p. [no pagination]
Art and Prostitution
Marlene Dumas. ‘Art and Prostitution’. Auf dem Strich, Arbeiten zum Thema Prostitution (exhibition catalogue), Kiel: Kulturviertel in Sophienhof Kiel, 1997
Always true
Marlene Dumas. ‘Always true’. Sweet Nothings: Notes and Texts by Marlene Dumas, Amsterdam: Uitgeverij De Balie/Galerie Paul Andriesse, 1998: p. 137 [written in 1997]
A united Europe
Marlene Dumas. ‘A united Europe’. Sweet Nothings: Notes and Texts by Marlene Dumas, Amsterdam: Uitgeverij De Balie/Galerie Paul Andriesse, 1998: p. 131 [written in 1997]
A nice Girl like you
Marlene Dumas. ‘A nice Girl like you’. Portikus Frankfurt am Main 1987–1997, Frankfurt am Main: Portikus, 1997: p. 257
Youth and other Demons
Marlene Dumas. ‘Youth and Other Demons’. Marlene Dumas, Youth and Other Demons (exhibition catalogue), Tokyo: Galery Koyanagi, 1996
International Biennales
Marlene Dumas. ‘International Biennales’. Manifesta (exhibition catalogue), Rotterdam: Foundation European Art Manifestation, 1996: p. 7-11
The perfect Lover, the absent Lover and the Daughter
Marlene Dumas. ‘The perfect Lover, The absent Lover and the Daughter’. Marlene Dumas (exhibition catalogue), London: Tate Gallery London, 1996
The Wrong Questions
Marlene Dumas. ‘The wrong Questions ‘. The Intellectual Conscience of Art (L & B/Lier en Boog), vol. 11 (1996): p. 28
Pin-Up
Marlene Dumas. ‘Pin-Up’. Pin-Up (exhibition catalogue), Tienen: Stedelijk Museum Het Toreke, 1996
The 7 Year Itch
Marlene Dumas. ‘The 7 Year Itch’. Art Gallery Exhibiting: The Gallery as a Vehicle for Art, Amsterdam: Galerie Paul Andriesse/Uitgeverij de Balie, 1996: p. 177
Masterpieces and Miss World
Marlene Dumas. ‘Meesterwerken en Miss Wereld’. Openbaar Kunstbezit/Kunstschrift, vol. 40, no. 6 (November/December 1996): p. 28-29
Goya’s The Fates
Marlene Dumas. ‘A brush with Genius: Marlene Dumas on Goya’s The Fates’. The Guardian, 04-06-1996: p. 10
Deadlines and Airmiles
Marlene Dumas. ‘Deadlines and Airmiles’. Sweet Nothings: Notes and Texts by Marlene Dumas, Amsterdam: Uitgeverij De Balie/Galerie Paul Andriesse, 1998 [written for a special issue of Parachute (Fall 1995) on the theme of transit]
Beyond the Protection of the Law
Marlene Dumas. ‘Buiten Beskerming van die Wet’. Africus. Johannesburg Biennale (exhibition catalogue), Johannesburg: Johannesburg Biennale, 1995: p. 186
Three Maria’s are better than One
Marlene Dumas. ‘Three Maria’s are better than One’. Dumas, Roosen, Van Warmerdam (exhibition catalogue), Venice, 1995
Bacon and Dumas
Marlene Dumas. ‘Bacon and Dumas, or the Discomfort of being ‘coupled’ ‘. Marlene Dumas/Francis Bacon (exhibition catalogue), Malmö/Milan: Malmö Konsthall/Castello di Rivoli, 1995: p. 27-39
The next Generation
Marlene Dumas. ‘The next Generation’. Dutch Biennale Bulletin, Johannesburg: Africus, Johannesburg Biennale, 1995
A Painting needs a Wall to object to
Marlene Dumas. ‘A Painting needs a Wall to object to’. Sweet Nothings: Notes and Texts by Marlene Dumas, Amsterdam: Uitgeverij De Balie/Galerie Paul Andriesse, 1998: p. 102-103 [quote from 1995]
Models
Marlene Dumas. ‘Models’. Marlene Dumas: Models (exhibition catalogue), Stuttgart: Oktagon, 1995: p. passim